Spontaneous release of Cuban artists

The Soviets inherited from the tsars the institution of the Imperial Ballet of St. Petersburg and Moscow, which (let's face) was a weapon of political propaganda in all this, as in the days when he was in the hands of Marius Petipa in the late nineteenth century . The Bolshevik Revolution renamed deploy to the theater, became spies for some dancers (others were thrown into the Neva River in Leningrad) and created some ballets with solidarity themes of socialist realism. In this case, everything remained the same so that nothing will change within the highly hierarchical world of ballet. Cuba and the railway company over the festival, is a late reflection and modeled on the Soviet case, but with some cartoon tropicalized. All that has happened in Miami is a worthy response, organic and even spontaneous release of Cuban artists. The International Ballet Festival of Miami is 15 editions in 2010, a feat difficult to imagine, and is part of the reality of ballet Miami gestated around its main cheerleader, Pedro Pablo Pena, a man trained in the practice of the first Cuban and American theaters later.