Institution of classical dance

The media apparatus deployed by the secret services (and not so secret) Cuban and network flowered profusely and Alicia Alonso acolytes spread that the Miami festival would be no more than two or three attempts and the pale imitation of Havana. None of this has been accomplished. The International Ballet Festival of Miami has its own style, his own life, and strives to progress in an environment suitable for anything, from raw and ruthless competition and without the institutional support and resources enjoyed by the Cuban festival "the captive island "real weapon of political propaganda from the beginning (do not forget that it opened repeatedly Castro himself or his words read by another leader of the dictatorship). Never lacking in the programs and books Alice historical hagiographic picture of Fidel Castro, Alicia Alonso after a performance of "Giselle." That photo still appears as a symbol ("cursed?) Commitment, (rather than ideological and material heavy chain) that connects to the Cuban government with the cultural institution of classical dance. That is not new.